Charles Alden Meranda Architectural Records Collection
Scope and Contents
This collection consists of architectural drawings and sketches that pertain to 169 projects spanning from 1939 to 1981.
The projects in this collection are mostly for private residences and businesses. Other projects in the collection are of banks, warehouses, churches, public buildings, retirement homes, and office buildings. The majority of projects were designed under the firm name of Meranda, Campbell, and Meranda. There are also a number of projects pertaining to War Housing Projects during the period surrounding WWII.
The firm did a number of commissions for the Indiana Bell Telephone Company. Projects related to the Indiana Bell Telephone Company begin in 1947 and extend into multiple commissions for additions and alterations to buildings such as the Victor Central Office, Auburn Telephone, Indianapolis Liberty Central Office, Brownsburg Central Office, Frankfort Central Office, Jefferson Building, Central Office, Clinton Central Office, and Fort Wayne Building.
The Meranda, Campbell, Meranda firm also did an overwhelming amount of residences and alterations to residences. Over half of the collection consists of residences and double residences that are either for the homeowners themselves or for developers.
Dates
- Creation: 1939 - 1981
Creator
- Meranda, Robert Arthur (Architect, Person)
- Meranda, Campbell, and Meranda (Architect, Organization)
Language of Materials
Materials entirely in English.
Conditions Governing Access
This collection is open for research.
Copyright Notice
Legal title, copyright, and literary rights reside with Drawings and Documents Archive, Archives and Special Collections, Ball State University, Muncie, IN. All requests to publish or quote from manuscripts must be submitted to Drawings and Documents Archive.
Biographical Note
Charles Alden Meranda (1907-1982) was born in Howard County, Indiana. He graduated from Kokomo High School in 1925. His documented course of study was “vocational” as opposed to “general” or “academic,” and there are no records indicating that Meranda received any additional education beyond this.
Meranda began practicing in 1925 with Thomas McGraw in Kokomo, Indiana. It is likely that his employment with McGraw was short-term as he was listed as a draftsman for Vonnegut Mueller Bohn Architects in Indianapolis in 1928. By 1933, Meranda was listed in city directories as an estimator and designer for Marietta Manufacturing Co., Indianapolis. Marietta Manufacturing produced a product that was referred to as “vitreous marble,” a pigmented opaque structural glass (comparable to Vitrolite). This material became quite popular, particularly in Art Deco and Art Modern architecture. His exposure to this material during his stint as a designer and estimator for the company influenced some of his own designs as seen on the façades of both the Rio and Crump theaters. From 1936 until 1939, Meranda served as a draftsman for Stewart-Carey Glass Company of Indianapolis, a company known for their stained glass windows. The June 7, 1943 Kokomo Tribune issue indicates that it was during his period of time as a draftsman for Stewart-Casey Glass that he designed the window for the Tabernacle Baptistery.
Meranda began practicing privately in 1939 under the firm of Bowers and Meranda at the Board of Trade Building located at 143 Meridian Street, Indianapolis, Indiana. The firm’s partnership only lasted for 1-2 years before dissolution. After this, Meranda continued to practice on his own, still retaining his office at the Board of Trade Building (until approximately 1967). The 1966 city directory lists his firm as Meranda and Associates and in 1967 the firm is listed as Meranda, Campbell, and Meranda though many of the projects in this collection are listed as Meranda, Campbell, Meranda during the 1940s. The other two partners in this firm were his brother, Robert A. Meranda (1921-2002) and Robert E. Campbell. When Robert Meranda and Robert Campbell joined as partners, the firm moved to 3051 N. Pennsylvania Street, Indianapolis, Indiana. Meranda retired in 1973 to Rochester, Indiana though the firm still continued to operate as Meranda and Associates, likely under the direction of Robert A. Meranda. Alden Meranda died on July 23, 1982.
Meranda had many notable works including the Flanner House Homes of Indianapolis (c. 1950) which he designed with Leslie Cohin. He also designed a number of theaters including:
Rio Theater (Columbus, IN), 1939
Crump Theater (Columbus, IN), 1941
Artcraft Theater (Franklin, IN) 1948
Gibson Theater (Batesville, Indiana)
Indiana Theater (Bedford, IN), 1950
Extent
4.6 Cubic Feet (7 flat file drawers)
Arrangement
The Charles Alden Meranda Architectural Records are primarily arranged chronologically with minor exceptions.
Custodial History
The Charles Alden Meranda Architectural Records were received by Drawings and Documents Archive as a donation from Dick Meranda on 2002/9/10.
Accruals
No additions are expected.
Sources
Processing Information
Collection processing completed. EAD finding aid completed 2018/10/29 by Andrea Eageny and Rebecca Torsell.
- Title
- Charles Alden Meranda Architectural Records
- Status
- Completed
- Author
- Completed by Andrea Eageny and Rebecca Torsell.
- Date
- Completed 2018/10/29.
- Description rules
- Describing Archives: A Content Standard
- Language of description
- Undetermined
- Script of description
- Code for undetermined script
- Language of description note
- English
Repository Details
Part of the Andrew Seager Archives of the Built Environment Repository
Architecture Building, Room 120
Muncie IN 47306 USA
765-285-8441
765-285-3726 (Fax)
libarchives@bsu.edu